JEAN-MICHEL BASQUIAT

The approach is spatial and observational – less interested in the ideological binary of left and right than in the vast, complicated country that exists at the intersection of many kinds of American experience. With rare and intimate access, the camera moves across an extraordinary range of scenes: Gays for Trump; ICE arrests and deportations; flustered Antifa activists; and migrants navigating a country whose welcome has grown uncertain. It witnesses Civil War reenactors summoning the same rhetorical reasoning as Confederate monuments protesters.